Samantha Cesario: Reflections on a Retirement

A few weeks ago, Samantha Cesario announced her retirement from competitive figure skating at 21. In doing so, she became possibly the first skater to cite the current judging system (IJS) as a factor in her decision. “I’m a skater who has always prided myself on my ability to perform for an audience and bring music to life,” said Cesario. “Unfortunately, at times, the new system [IJS] didn’t lend itself to my strong suits, and that is something that wasn’t always easy to deal with.”

Samantha Cesario at Trophee Eric Bompard 2014 (Jamie McDonald/Getty Images Europe)
Samantha Cesario at Trophee Eric Bompard 2014 (Jamie McDonald/Getty Images Europe)

Many fans were surprised by Samantha’s retirement after just 2 years of senior international competition. However, for others who had been following her career closely, the reaction was one of subdued sadness, not surprise. Samantha had been struggling with her results under IJS for some time. This past season in particular, the judges’ scores for her programs gave her little incentive to continue. Yet, during this same period, Samantha became a favorite of many skating fans around the world. This week, Johnny Weir called her “a shining light in U.S. ladies’ skating.”

For me personally, Samantha was one of the few ladies whom I actually enjoyed watching this past season. I’m going to miss her very much. Her retirement is the saddest news of the offseason for me.

At the U.S. International Figure Skating Classic 2013
At the U.S. International Figure Skating Classic 2013

Since the announcement, I’ve been struggling to wrap my head around the question of why this talented skater was unable to reach the top competitively. How much of Samantha’s decision to retire was due to personal factors? And what, if anything, does the premature end of her career say about the current state of skating and IJS?

Looking back, Samantha Cesario’s career was always a little different. She is close in age to fellow U.S. skaters Ashley Wagner, Mirai Nagasu, Caroline Zhang, and Christina Gao. But unlike them, Samantha never left home to train with a top-tier coach or other top-level competitors. She stayed with Mary Lynn Gelderman as her main coach for 13 years. And although she doubtless shared rink time with many talented skaters, Samantha never trained alongside a Yuna Kim or Evan Lysacek or Adam Rippon. Another difference: The other U.S. ladies I named have all competed at U.S. Nationals for at least the past 8 years straight. But, due in large part to injuries, Samantha competed in only 6 total U.S. Nationals.

So, Samantha perhaps didn’t follow the typical track. However, when she did truly emerge as a senior lady at 2013 U.S. Nationals, she immediately made her presence felt. She landed 6 triples in her Black Swan LP that year and caught everyone’s attention with her elegant, dramatic skating.

A month later at 2013 Junior Worlds, Samantha took first in the SP and looked set to win or medal. However, in a sign of things to come, she was hit with 5 underrotation/edge calls in the LP and dropped off the podium entirely.

Her winning short program at Junior Worlds 2013 (Claudio Villa/Getty Images Europe)
Her winning short program at Junior Worlds 2013 (Claudio Villa/Getty Images Europe)

It’s interesting to listen to Nicky Slater’s British Eurosport commentary about Samantha’s Junior Worlds SP: “I love the little movement of the head, and all the hand movements, all those signatures that add to the overall program. Never any wasted moments,” said Slater. And, about her LP: “Absolutely fabulous, well done. Elegant, mature, strong, great height in the jumps, loads of power. Every moment was defined and definite in terms of the choreography and content.” To Slater, what stood out about Samantha was her ability to interpret music and present a beautiful performance. This is exactly what drew so many fans to Samantha.

However, just 9 months later, Joanne Conway of British Eurosport had the following remarks on Samantha’s SP at 2013 Trophee Eric Bompard: “For me, she’ll suffer a little bit with the skating skills. A little bit weak, a little bit slow. I’d like to see her move across the ice with more edges, more knee bend. Maybe [the spins] could have been worked on a bit more.” These comments reflected a contrasting view of Samantha: That her skating was hampered by a lack of speed in footwork and spins.

These dual views of Samantha’s skating continued to hold over the next 2 years. Among many fans, Samantha was a favorite because of her dynamic, artistically satisfying performances. But among judges, it was another story. As Samantha noted, her strong suits weren’t favored under IJS.

What were Samantha’s strong suits? Artistry and jump consistency.

Samantha’s skating was polished and sophisticated and expressive. She knew how to interpret music and hit the highlights of a program. She paid attention to the details—hand movements, head placement, extensions, straight back—and everything was in place in her skating. If you look at photographs of her, she’s almost always in an attractive, nicely extended position. Her programs were never less than entertaining to watch. And, best of all, she had her own distinctive look: Dramatic, strong, flirtatious, sultry.

Samantha shakes it in
Samantha shakes it in “Fever” (Victor Fraile/Getty Images AsiaPac)

Samantha didn’t do lyrical or princessy. She was all about fiery attitude and flamboyant expression. Often skating to Latin music, she had a clearly defined–and clearly mature—style on the ice. This put her in strong contrast to some of her coltish competitors (especially this past season). Samantha skated to Carmen for 4 years, using the music twice as an SP and twice as an LP. It’s almost unheard-of to use a single piece of music for so long, but Samantha not only kept it interesting but actually made Carmen her signature program. How many other competitive ladies these days have anything close to a signature program that fans actually remember, talk about, and look forward to?

Carmen: Her signature program (Jared Wickherham/Getty Images North America)
Carmen: Her signature program (Jared Wickherham/Getty Images North America)

Yet Samantha received little credit for the quality of her presentation. Reviewing her PCS scores at three international events this season (Skate America, TEB, 4CCs), you can see the international judges placed her in their “second-tier” PCS corridor: 25-28 in SP, 50-57 in LP. Samantha was in this range with skaters such as Rika Hongo, Mirai Nigasu, Haruka Imai, Courtney Hicks, Mae-Berenice Meite, Maria Artemieva, Alaine Chartrand, and Gabrielle Daleman. Her PCS tended to be in the middle to top of the range, but not by a wide margin. For example, in the 2015 4CCs SP, she had less than .40 PCS advantage over Canadian skaters Gabrielle Daleman and Alaine Chartrand (neither yet noted for their polish or artistry). Samantha also received lower PCS there than Rika Hongo, a skater known primarily for her triple/triples and poor posture.

The general opinion was Samantha got relatively low PCS because she lacked speed: This was considered her Achilles’ heel. However, as FSU member @plusdinfo noted on the FSU forum, Samantha was strong in 4 of the 5 categories PCS is supposed to be marked on: Transitions, Performance/Execution, Choreography, and Interpretation. Yet she received little bonus. Through her scores, the judges seemed to indicate that slower relative speed was a bigger problem than bad posture, inability to express the music, uninspired choreography, and/or poor positions/extensions. Is this something the majority of figure skating audiences would agree with? I’m not so sure.

As strong as she was artistically, Samantha was also a very consistent jumper. In her final competitive season this year, she landed an average of 6.8 triples per LP. She did not fall once the whole season, and rarely popped, stumbled, or put a hand down. In contrast, Gracie Gold averaged 5.14 triples landed and .5 falls in her LPs, had numerous minor jump errors, and popped a total of 4 jumps in her 4CCs LP.

But although Samantha was consistent with her jumps, her technique was flawed, resulting in underrotation calls and an edge call on her Lutz. These errors cost her heavily on judges’ score sheets. Even when she landed a jump, she often lost 2 to 3 points in potential base value. For example, in her 4CCs SP this year, she underrotated her triple flip and got only 3.27 points (just 56% of the planned base value 5.83). Are we happy with a scoring system in which a skater loses almost half the value of a jump because it was landed a quarter-turn early (if that)?

Spins were another issue. Samantha always had beautiful spin positions, but since her rotations weren’t the fastest, her spin levels (and scores) fluctuated.

Samantha’s spins were negatively affected by the other big challenge in her career: Health problems. The stars seemed to align against her in this area. In 2010-2011, she suffered a serious back problem; in 2011-2012, she tore a knee ligament. She missed U.S. Nationals for 2 straight years–a major setback for a skater in the U.S., where so much rides on Nationals results. She also dealt with pronation of the knees, an ankle injury, and mononucleosis.

The fact that Samantha was able to forge on despite all these problems says everything about her character. In spite of the injuries, she continued to train and put out her best in every single program. I never saw Samantha give up on a program–ever. Even if it wasn’t going well, she always kept the performance quality up and kept trying on every single jump. I admire that so much about her. She had tremendous will and tenacity. I’ve seen few other skaters put out as many 6- and 7-triple programs as Samantha did in her career to such little reward.

Giving it everything she had (Jamie McDonald/Getty Images Europe)
Giving it everything she had (Jamie McDonald/Getty Images Europe)

But although Samantha kept fighting through all the injuries, no doubt they affected her career and held her back from accomplishing more. At a minimum, she lost significant practice time and competitive experience. There’s no way of knowing how her career might have developed if she hadn’t had so many health problems. Would she have moved to another coach/training center? Would she have been able to skate faster or rotate spins faster if she hadn’t had lingering effects from the injuries? Would she have skated better this season if she hadn’t suffered a two-month bout of mono? There’s no way to tell.

My guess is that Samantha’s retirement is in large part due to her health problems. You can only continue training in pain for so long.

But, as she made clear, the current state of figure skating and its judging system also played a significant role in her decision. Some people’s response to this is that Samantha should have simply fixed her underrotation/speed problems, and then she’d have had nothing to worry about. I guess my thoughts go in another direction. I question if we really want a judging system that has no place and no reward for such a talented, beautiful skater.

Her final bow in Greensboro: Nationals 2015 (Jared C. Tilton/Getty Images North America)
Her final bow in Greensboro: Nationals 2015 (Jared C. Tilton/Getty Images North America)

In the end, I doubt Samantha Cesario has any regrets. Her path in skating wasn’t easy or typical; it was always a little different. But she did it her way, on her terms, as much as her body would allow. And her decision to retire is, again, her own. Many skaters in recent years have found it difficult to take that final step. But Samantha decided the moment had come and made the tough call to walk away from 15 years of skating and start a new life. As usual, I’m left feeling admiration for the courage of this strong-willed, clear-eyed young woman.

I’m going to miss her. A lot.


5 thoughts on “Samantha Cesario: Reflections on a Retirement

  1. Kate Williams

    I am not tracking with your point above about her coach and training center. Are you trying to say that they were not elite, or worse, sub par?

    To my knowledge, she trained with Peter Burrows and coaching colleague Mary Lynn for many many years until Mary Lynn became her one coach a few yrs ago. It is time that coaches receive due credit for all that it takes to get skaters MULTIPLE triple jumps!!! And likewise, coaching changes often leads to messy technique and going backwards in success rather than forwards. She didn’t need to move anyplace else or swap coaches….she had it all right at home in NY where her family was!

    The grass isn’t always greener on the other side, remember that. Your comment about the fact that she never moved away doesn’t make sense and I think it is in poor taste for your tone to question why she did not. She had great reasons to stay put in NY! No need to question it or analyze the alternatives (or the potential impact to her career). She was an elite, highly-trained athlete who had great success. Period. I celebrate the fact that she stayed home to train with Peter and Mary Lynn for so many years!!!!!!


  2. Thanks for your comment, Kate. Just FYI, my source in naming Mary Lynn Gelderman as Samantha’s main coach is the IceNetwork article about her retirement ( Of course, I agree with you that Mary Lynn deserves a ton of credit for her work with Samantha. On the other hand, I’m aware that many fans/observers suggested over the years that Samantha might benefit from a coaching change. So I felt I should address that in some way. I don’t have a firm opinion myself. Samantha seemed happy at home in her existing training environment, and that’s really important. On the other hand, we’ll never know if she could have benefited from spending a certain amount of time (even just in the summer) training with other high-level coaches, who might have brought different skills or perspectives. I see the pros/cons of both, and I’m kind of neutral on it. My intent in the article was mainly to represent the different viewpoints on her career.


  3. ar

    Please, could we retire the use of “princess” and “princessy” as adjectives for skating styles? You meant ” lyrical” and you used that word. That was sufficient. And lyrical programs are not subpar simply by virtue of being lyrical. The implication of “princess” in skating commentary has long seemed to be “bad because it is typically feminine”. That is an insult to women.


  4. Maddy

    I agree that if a skater has speed, more than likely the skater will receive a high PCS score. Just look at the top Russian ladies: they’re receiving mid to high 60s for PCS because of speed. Their transitions are questionable, posture not even pleasing, choreography pretty weak. I’d give them good marks on interpretation and execution.


  5. The one thing that I have noticed, even more so with Junior singles, is that they all look very much alike out there. This new scoring system has them performing more toward a lockstep presentation that the judges want to see in them. It seems that the system and the judging is a way to mold them into the type of skater that THEY prefer. Uniqueness used to be rewarded to some extent, and now it seems to be completely frowned upon. The spiral is close to extinction, because now they do it for 1.5 seconds max. That use to be a statement for many skaters.

    *As respectfully as possible* – Samantha had a sexiness about her that was palpable. I think many of the judges had a particular resentment toward her for that.

    I signed up for all four days of Skate America this year. {my 1st time at a comp, and THRILLING – see my FB notes section} When she performed in the competition, we did not just give her a standing ovation, we SHOT UP FROM OUR SEATS at what we had just witnessed. Talk about In The Zone! When the scoring was shown for her I was SHOCKED.


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