U.S. Classic: A Look Back at Lake Placid

A couple weeks ago, I had a chance to go to Lake Placid, NY, to cover the 2022 U.S. International Figure Skating Classic. The competition turned out to be pretty exciting, with Ilia Malinin making skating history by landing the first quad Axel. 

It was my first time visiting Lake Placid–a small town that has played an outsized role in the history of U.S. winter sports. Lake Placid hosted both the 1932 and 1980 Winter Olympics, and will host the 2023 Winter Universiade event next year. It is also a center for events and training in other winter sports. I didn’t really know what to expect from the town, but I had a feeling it would be pretty cool, one way or the other. And it was.

Lake Placid lies in the Adirondack mountains, at 1800 feet above sea level. Although it’s not, of course, as high up as the Rocky Mountains out west, I did feel the altitude a bit while walking around town. You can see hills all around in the distance, and the village sits directly on the shoreline of small but lovely Mirror Lake. The whole area is super-scenic and a really nice place to visit for a skating competition.

It’s pretty cool being near a lot of sports history, too. Directly on the other side of the street from the arena is the speed skating oval where Eric Heiden won five gold medals in the 1980 Winter Olympics. And U.S. Classic itself took place in the same rink where the “Miracle on Ice” happened and the U.S. hockey team won Olympic gold in 1980. Not too many skating arenas can boast that kind of history!

The Miracle on Ice rink at Lake Placid

The skating itself was pretty great. U.S. Classic is an early-season event, so you know going in that skaters aren’t going to be in the same kind of top condition as at Nationals or Worlds. However, the upside of the early-season timeframe is that you get to see a lot of new-program debuts and, sometimes, witness skaters trying out new things that they’d be hesitant to go for in a larger competition. I’ve attended this event three times now, and it always winds up being quite fun.

Here’s some news & notes from the unofficial mixed zone about each discipline.

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Malinin and the Evolution of the Axel

This past week brought a new milestone in men’s figure skating. U.S. skater Ilia Malinin, 17, became the first man to ever land a quadruple Axel jump in competition, a feat he accomplished at the U.S. International Figure Skating Classic in Lake Placid, NY. 

Malinin’s groundbreaking moment caught the mainstream press by surprise. Those who follow figure skating closely, though, were primed for the moment. This spring, Malinin had shared videos of himself doing quad Axels in practice, so skating fans knew it was a possibility he’d land the jump at this competition. 

Still, the actual sight of the first quad Axel was stunning. This is in part because the triple Axel jump–the quad’s predecessor– remains itself such a relatively significant element in men’s skating.   

The Axel jump, as most skating fans know, is unique because it’s the only jump with a forward takeoff, and it has an extra half rotation. This makes the single Axel the most difficult of single jumps; the double Axel the most difficult of double jumps; and so on. The triple Axel was first introduced to men’s skating by Vern Taylor of Canada in 1978. By the early 1990s, it had become the most important element in men’s skating. Back then, the key jumps in a winning free skate were two good triple Axels (with one in combination).

Quad jumps started to feature in men’s skating by the mid-1990s. After 2010, there were more and more quads, including quad Lutzes and quad flips. Yet, the triple Axel still remained a singular and essential jump for the men. It was the most distinctive jump in men’s skating, in my view; the most fun to watch. And not just in my eyes, either.

Yuzuru Hanyu–known for his triple Axels

In a translated 2017 interview, two-time Olympic champion Yuzuru Hanyu spoke about the significance of the triple Axel. He said:

I spent 80% of my training time on the Axel when I was in elementary school. In a single hour, I would spend at least 45 minutes training the Axel.

I’ve always said things to the effect of ‘jumps are transitions,’ and I think the Axel demonstrates this very well. Precisely because it’s forwardly launched, the Axel conveys a special ‘sense of turn.’ …. Since the Axel is forwardly launched, the sense of speed is similar to that of steps and turns.

The Axel just gives off a special vibe. No matter the number of quads, no matter the number of types of quads, in the end, my biggest weapon remains in how consistently and beautifully I can manage to do my Axels. I believe that is something I’d like to hold onto firmly, even towards my biggest goals. For example, even if I were to do the quad Axel, two triple Axels would still be an absolute must. 

Reflecting Hanyu’s take, a majority of current top male skaters continue to include two triple Axels in their free skates. And, successful execution of those triple Axels is still by no means a given.

A quad Axel, meanwhile? With the triple Axel remaining such a relatively difficult element, a quad Axel seemed mythic, even impossible. But in fall 2018, Artur Dmitriev Jr. became the first man to attempt the quad Axel in competition. After the 2018 Olympics, Yuzuru Hanyu started to dedicate himself to the pursuit of the quad Axel. If Hanyu believed the jump could be done, maybe it really could be.

Someone else was seeing it as a possibility, too: Ilia Malinin. And it was Malinin who finally landed the quad Axel last week, on the evening of September 14, 2022.

I was there in Lake Placid, watching the opening moments of Malinin’s long program, when he suddenly launched himself upward. I thought, “Wow, that is a lot of air.” Then I realized what had happened: The quad Axel.  Forty-four years after the first triple Axel, Malinin had produced the quad Axel. It was amazing–and still feels a bit surreal. 

Ilia Malinin with his gold medal at Lake Placid (Robin Ritoss Photography)

That evening, after his free skate in Lake Placid, Malinin talked about how he pursued and eventually mastered this most difficult of jumps.

“I was thinking about it for a long time,” Malinin said. “I would say it was probably about a year ago that I started to understand that I am capable of doing it.”

When Malinin initially spoke to his parents and coaches, Tatiana Malinina and Roman Skorniakov, about his quad Axel ambitions, they were doubtful.

“My parents at first thought that I was joking around,” Malinin said. “They were like: ‘Oh yeah, yeah, you’ll do it someday.’”

But Malinin started practicing the jump on the pole harness, with his father assisting.

“My dad does the pole, and he knows, or has an understanding of, when I’m ready to land a jump,” Malinin explained. “So after a lot of times of [doing] it, after a while, he was like, ‘Oh, this really seems possible.’ So then we started focusing on perfecting the [triple Axel] technique, so that I would have a chance of doing another revolution in the air.”

Malinin practiced multiple triple Axels in a row (a technique he shared on his Instagram this winter). The idea was “to make sure that my triple Axel was really easy and consistent, so that then I could attempt quads,” he explained. 

As a side benefit of this process, Malinin developed another new element that appeared in his Lake Placid long program, also perhaps for the first time in skating history: A triple Lutz/triple Axel combination.

Malinin after his historic quad Axel

 “It all ties into the quad Axel,” Malinin said. “When I do, for example, three [triple] Axels in a row, it probably makes sense to be able to add it after every jump. To be able to add it after a Lutz, or after a flip.” 

Malinin attempted a quad Axel during exhibition practices at U.S. Nationals in January. “That was not the best attempt,” he said. However, it signaled his progress and intention.

It was only after the World Championships that Malinin started regularly attempting the quad Axel in practice. 

“Actually starting to prepare for it, [it was] maybe like March or April,” Malinin noted. “That’s when I was really starting to work on the technique and to try to improve it.”

Malinin said he first landed the jump “around six or seven months ago” in Colorado Springs. On May 16, he posted a successful attempt on his Instagram. From that point on, his mastery of the jump grew.

“When I’m practicing it, it’s pretty easy for me to understand how to get the right timing and everything to have it be a good attempt and with the landing,” Malinin said. “But to do it in competition is a different story. Because you have nerves and pressure that can get in the way. So, how I feel about it is, I have to just treat it like I’m at home, most of the time, and I feel pretty good.”

Malinin said that Hanyu’s work in training the quad Axel spurred on his own efforts to master the jump.

“It definitely gave me a really big inspiration to try it,” Malinin said. “Other skaters have also tried it, like Artur Dmitriev Jr, and there are maybe other skaters who could have attempted it, even just in practice. But Hanyu’s was one of the closest attempts. Even though [many] really wanted him [Hanyu] to be the first, it’s very happy for me to see that he’s been trying it for a long time now, and that he wants to keep trying to land it still.”

Malinin realizes he is now forever a part of skating history. 

“It feels great. I like it a lot,” Malinin said. “I just came here to try to put my best into the program, and that was one of the elements that I’m happy I landed.”

Malinin has more technical goals for his skating.

“In the future, we’re planning to add a little bit more quads even,” he said the day after his long program. “I haven’t landed [quad] loop yet or [quad] flip. But I have them in training.”

Perhaps there will be more history-making moments from Malinin in the future. But I’m not sure any will ever top his historic accomplishment of the quad Axel. That feat opens a new era in the history of men’s skating. We can only wait now to see where it leads the sport.

2022 Worlds Diary

Spring. Bright sunshine, passing showers, flowers, a touch of warmth in the air. The World Figure Skating Championships always takes place at the intersection of seasons, between winter and spring, in March. You never know what those days will bring. This year, in the south of France, Worlds came with beautiful days of cool breezes, high clouds, and happiness. It felt like an oasis after a stormy season. 

Worlds, by its nature, is such a celebratory competition. Skaters at Worlds have won just by qualifying to be there. It’s a happy thing for anyone to be there–skater, fan, judge, or media. 

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Reed/Ambrulevicius: “We haven’t reached our limit”

Ice dancers Allison Reed and Saulius Ambrulevicius, who represent Lithuania, have both been part of the international ice dance scene for many years now. Reed began competing internationally in 2009, while Ambrulevicius’s ice dance career began in 2014. But, it’s only since the couple teamed up and started to compete together that they have gained increasing recognition from ice dance judges and fans alike. 

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Stars on Ice 2022

All photographs by Olga Trofimova (courtesy of Stars on Ice)

Stars on Ice returned to New England this past weekend for the first time in three years. And what a return it was! The headliner of this season’s tour is newly crowned Olympic champion Nathan Chen. But, he’s just one star in a cast full of World and Olympic medalists. This year’s show–which includes many programs that became iconic during this Olympic season–is titled “Journey” and celebrates the winding paths that all these athletes traveled to get to the Olympics.

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An Evening with Champions 2022

An Evening with Champions–the longest-running charity figure skating show in the world, organized by students at Harvard University–returned last weekend for the first time since 2019. The show, which originally started back in 1970, had been set for a gala 50th-anniversary celebration in 2020. Unfortunately, the covid-19 pandemic interrupted those plans. But, after a two-and-a-half-year hiatus, the show returned this past Saturday. It was a pleasure to see the delayed 50th anniversary edition of An Evening with Champions (EWC).

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Roman Sadovsky: “I’m proud that I finished the season well”

For 22-year-old Roman Sadovsky of Canada, the Olympic season was one of peaks and valleys. The peaks included qualifying a second men’s Olympic spot at Nebelhorn Trophy in September and placing fourth at Rostelecom Cup in November. Unfortunately, the low point came at the Olympic Games in Beijing, where Sadovsky struggled and placed 29th in the individual men’s event, failing to make the long program. How satisfying, then, for Sadovsky to rebound at the 2022 ISU World Championships in Montpellier, France, where he recorded his highest placement so far  at a major ISU championship (12th). 

I talked with Sadovsky and his longtime coach, Tracy Wainman, in the mixed zone at Worlds to get their reactions to his performances in Montpellier. The duo also spoke about the war in Ukraine and how it’s affected Sadovsky, whose parents both emigrated to Canada from Ukraine.

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“Everything he does is extreme”: Keegan Messing

Last week, Keegan Messing competed in his fourth ISU World Championships in Montpellier, France. Messing’s 14th-place finish in Montpellier was well off his career-best 6th place at 2021 Worlds in Stockholm last year. However, the Canadian skater was unfazed.

“It’s always a pleasure to represent [Canada],” Messing said after the free skate. “And it’s always a pleasure to come out at Worlds and just be here.”

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Bruno Marcotte: “Miura/Kihara are very special”

“I have mixed emotions,” coach Bruno Marcotte confessed Thursday night, after his students Riku Miura, 20, and Ryuichi Kihara, 29, won the silver medal at the ISU World Championships in Montpellier, France. Seeing Miura/Kihara reach the World podium–less than three years after they first teamed up–was exciting. However, Marcotte also knows that his team is capable of more than they delivered in their free skate at Worlds.

 “Their practices here were great,” Marcotte said. “After the Olympics, I felt like they needed to come down a little bit [from their Olympic peak]. After every competition, you need to come down. But it was like they were resisting that. Training was a struggle for a bit.” 

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Lajoie/Lagha: “We want to do a good performance for the fans”

This week, Canadian ice dancers Marjorie Lajoie and Zachary Lagha will write the final chapter of their season at the 2022 ISU World Championships. The duo are hoping to put out season’s-best performances of two programs that have served them well this year: Their “Funkytown” disco rhythm dance and their signature “Birds” free dance set to the Rio soundtrack. At practice this week in Montpellier, I caught up with Lajoie and Lagha to talk about their programs and what makes them tick as a team.

Both skaters were born and grew up in the suburbs of Montreal, Quebec. Lagha said that his parents are of Algerian descent. Both started out skating singles, but Lajoie was drawn to ice dance from an early age.

“When I changed coaches at seven years old, I was training in an area where there were also ice dancers. So, since [I was] a very young age, I saw it and thought, ‘I want to do this,’” Lajoie explained. “Then they found Zach.”

‘“Her coach [also] coached in my club. And he was like: ‘Oh, I have a girl [whom] I really want you to try with.’ And so at one point I tried,” Lagha said. “And then I just kept going.”

Lajoie, 21, and Lagha, 22, have been partners for over ten years already, since 2011 (except for a six-month break in 2015). The duo see the longevity of their partnership as a bonus, as they try to make their mark in senior ice dance.

“I think it’s cool,” said Lajoie. “I see older skaters who are at the end of their career, and they’re celebrating their 10 years. And we are [just] starting to be seniors, and it has already been even longer. So I think it’s a very good advantage for us, that it’s already as long as some of the top seniors. We are very different, and I think that’s also very good for a couple, to grow together as two very different people, two different mindsets of working. It works super-well.”

Lagha agreed that their personalities are quite different.

“I’m more serious, and she’s more light-hearted. That’s pretty much a summary of it,” he said, with a smile.

Lajoie/Lagha performing their Rio free dance (AP Photo/Shuji Kajiyama)

Lagha admits that his intensity and analytical nature can make competition challenging for him. 

“I get nervous. Really, really nervous,” he said of competing. “I overthink. I love the feeling right after the competition. That’s an amazing feeling, when you skate well and have good results. That is really cool. But the day of the competition … It’s not cool,” he said wryly. “Although I try to stay in my zone, so I don’t really know what’s going on around me.” 

Lajoie has a slightly different perspective. 

“I enjoy competing, yes, for sure,” she said. “Of course, like most people, I don’t enjoy being stressed. But I like the adrenaline that I have just before a program. It’s something that I can’t find in my life, other than in competition. It’s such a special feeling, always. But just like Zach, my favorite feeling is when I’m done competing. It’s so cool, especially when you did super-good.”

Lajoie and Lagha have enjoyed a successful season so far in 2021-22, capped by a trip to their first Olympic Games in Beijing last month. Both skaters said they learned a lot about how to handle the special pressure of the Olympics at the event.

“I think the stress, the pressure, the adrenaline [of the Olympics] is so much bigger than anything else. It’s really unique,” said Lajoie. “And we skated very well. So that’s proof that, under stress or pressure, we can still perform well. That’s why I’m very glad that we went at such a young age, so [that] we practice [coping with] that stress. I think it was a good learning experience for us.”

Lagha said that the long time span of the Olympics makes it much different than other competitions. 

“Knowing that you have 13 days before the [ice dance] competition, it’s long. The competition starts in the practices. That’s where the judges see you, and that’s where they start to think. So you have to be on point at every practice,” he commented.

However, with it being their first Olympic Games, Lajoie and Lagha competed without the stress of being medal favorites.  

“It wasn’t our competition,” Lagha said. “Everyone’s got their own league. And we’re not in the big league, for now. We’re just trying to improve all the time. In our case, it’s almost like smaller competitions are more important, because that’s where we can [make] a difference in the rankings. The Olympic Games–we were thirteenth, I think. And even if we skated even better, we would still [probably] stay thirteenth. So in terms of stress, for me, it was fine. It was like a normal step.” 

Lajoie/Lagha after practice this week in Montpellier

Lajoie and Lagha do see potential for upward progress at the World Championships in Montpellier, but don’t want to make it their main focus.

“After the Olympics, there’s usually a lot of movement in the standings. And I think we have a chance now to move up the rankings,” Lagha said. “But even though we know that, it’s important not to think about this and [to] really focus on the performance. We want to perform well. This is the main goal, as usual. And there are some little technical things that we want [to achieve], also. And whatever will happen, will happen. We just want to do a really good performance for the fans. And in this, we can do something cool. Sometimes we focus in [too much] on the technical, and then that’s it. It’s over with.”

Lajoie and Lagha feel confident in the programs they’ll be showing in Montpellier. Their rhythm dance, set to “Funkytown” and two other songs, has been a fan favorite this season. It’s a fast-tempo piece that places a lot of cardio demands on the skaters. 

“I really have fun doing it, and every time I go to the practice and it’s this program, I’m happy to do it. Definitely, this program is really cool,” Lagha said. “And no, it’s not hard, because compared to a free dance, nothing is hard. For us, it’s almost–not a piece of cake, if you are talking cardio. But, because we have such a difficult free dance, and it’s mentally so hard and draining to do the free dance, the rhythm dance for us now feels not that hard. It’s hard, but not as much.” 

The couple said they’ve been happy with audiences’ reactions to their rhythm dance.

“They reacted [well] almost every time,” Lagha said of the crowd’s response. “Only the first competition they didn’t react–that was Autumn Classic. But we didn’t really perform full out. Coming back from Autumn Classic, we knew that something needed to change. And we needed to attack a lot more. Since then, every time we did it, the public reacted. So we’re going to try to do the same here in France.”

Romain Hagenauer, one of Lajoie and Lagha’s coaches at I.AM, created and choreographed both their programs this year. This is the second year that the duo are skating their bird-themed Rio free dance, set to Brazilian music. Unlike many current free dances, the Rio program is very uptempo and fast, again requiring a significant cardio effort. Lajoie and Lagha explained that they intentionally chose the program for this purpose, to help them stand out to judges and audiences. 

“Romain came up with the idea. He has always choreographed our programs,” Lajoie said. “He sent us the music, and we said yes. We hadn’t seen the movie before.”

“Because everybody’s trying to do something lyrical, we thought that this would be a good program so that people can really notice us,” Lagha explained. “So that’s why we’re doing it.”

“We love it,” Lajoie said. “But, we’re kind of excited that it’s our last one [at Worlds]. It’s been two years of very hard cardio. It’s a hard one.”

“Really, the biggest challenge [of the program] is the physical,” Lagha added. “Now, after two years, the elements are pretty much like bam-bam-bam. We do it without really thinking much. However, we always have to focus on turns and do the technical [aspect]. But it’s really automatic right now. I would say that another challenge is to get clean lines, even though the music is really fast. It’s much easier to do it when you have time–you can really extend your arm and do a really big movement. But when the music is fast, it’s a lot more messy when you try to do this. So you have to do smaller movements, but pretty precise, and it takes a lot of energy. I’d say this is one of the big challenges of our program. And also, to get connection between us two. In a program like this, it’s not really easy.”

“The music doesn’t build [to say], ‘Look at each other,’” Lajoie commented. “It’s bird-y. The other ones who are doing slower music, they can really connect. We’ve tried to work on it.” 

“It’s been a critique of this program,” Lagha acknowledged.

Still, Lajoie and Lagha have enjoyed the Rio free dance and have no regrets about taking it on.

“Maybe eventually, when we get older and more mature, we’re going to go to this lyrical style,” Lagha said. “It’s a style that, personally, I really like to do much better than the one that we’re doing now. But I think it’s necessary for our development. And I think in terms of skills, we’ve improved a lot from this free dance.”

With their season ending this week at Worlds, it will soon be time for Lajoie and Lagha to make plans for next fall. They have yet to choose music or start choreography for next season’s programs. Like other teams, they are awaiting the ISU’s announcement of next year’s rhythm dance theme and compulsory section. 

Lajoie/Lagha at NHK Trophy in November (Photo by Zhang Xiaoyu/Xinhua via Getty Images)

However, Lajoie and Lagha are already looking forward.

“I’ve started to think about lessons that we need to take,” said Lagha. “Off-ice training, and weaknesses that we need to absolutely improve for next year. I didn’t want to lose time preparing this [only] when the off-season started. We made a little game plan.” 

Lagha noted their preparations for next season are “much more complicated’ than just choosing music. 

For the next few days, though, the team’s attention will be on this year’s programs. 

“We don’t want to take our minds away from this competition,” said Lagha.